The Makings of Magic

Welcome to TaoCraft Tarot blog and podcast. I’m glad you are here.

Today we are drawing from the Alleyman’s Tarot by Seven Dane Asmund of Publishing Goblin LLC, used with permission. It’s a big deck, with one booster pack already in it and yes, you bet I’m planning on getting the other booster packs if possible.

I’m not a collector by nature, but I’ve been around collectors and I understand the passion. It’s not a greed thing or a materialistic thing. It’s a surround yourself with symbols of something you love thing. As a professional Tarot reader and Tarot writer slash blogger decks appeals to the maker part of me. It’s a “right tool for the right job” kind of vibe. On one hand they are a collection of specialized precision tools, yet on the other hand “every tool is a hammer” as the Adam Savage book puts it.

I know some Tarot readers who have dozens of decks. The Alleyman’s Tarot is my eleventh. I’m enjoying it even more than expected. It is a virtuoso deck, that pushes your comfort zone just by the vast array of tones, images and artwork. It’s also challenging by virtue of the cards like this one that are absolutely gorgeous, but not traditional RWS or lenormand symbolism. I can’t imagine anyone with the wherewithal to collect well over one hundred decks, but the vast array of different cards all beautifully curated by the creator gives you a taste of exactly that. Seven Dane Asmund has pushed all of our Tarot reading envelopes. Now it is up to us to haul it back in.

I’ve been watching the new season of the Witcher, so the Mages of Artuza came quickly to mind when I saw the lightning in a bottle card – specifically the scene where initiates were in a cave with a hole in the roof during a thunderstorm and were required to capture lightning in a bottle in order to become fully fledged Mages.

The phrase “lightning in a bottle” has been around much longer than TV shows. Generally, it means sudden, unexpected, unconventional but huge success at something rare, at something once thought nearly impossible. Lighting in a bottle is a get rich from YouTube, put a ding in the universe type of luck-meets-skill achievement.

Reliable origins of idioms like this one are just as hard to find. A quick search of the google machine gives you the idea that it refers to eighteenth century experiments with electricity like Benjamin Franklin’s kite and Leyden jars. Leyden jars are conductive material on either side of non-conductive glass in such a way that it will hold a small electrical charge. It used to be party entertainment to get a little spark from them, kind of like scuffing your sock feet across the carpet and touching a door knob on purpose. In the poetic language of the day, those little sparks were literally lightning in a bottle.

The Alleyman’s Notebook that accompanies the deck connects this card with a situation that can’t be forced. That interpretation fits in with the pop culture analogy. You can’t MAKE lightning strike. You can’t MAKE opportunities happen but you can position yourself in such a way as to be in the conditions that more favorable for the right opportunity to happen. You can put yourself in a mental and physical space to take full advantage of it if it does.

You can’t make lightning strike any given place at any given time. Putting real world electrocution aside for a moment, if you stand on an iron rich rock near salt water ocean with your arm up in the air during a thunderstorm, there is a better chance that you, the lightning and a bottle will all wind up in the same place at the same time.

There is a practical, mundane, banal side of catching lightning in a bottle. It may seem lucky or miraculous, but the most unlikely success still has elements of practical intellect and persistent effort. As Thomas Edison famously said “genius is one percent inspiration and ninety nine percent perspiration. Lightning in a bottle is random luck plus the courage and cleverness to take advantage of unexpected opportunity with a healthy dose of effort to follow it all through to fruition. These are the elements of mundane magic available to anyone.

There is one more element. A subtle one, the one that makes you into a lighting rod and gives you the power to contain it in the bottle. This is the part that makes the apprentice into the sorcerer. It’s the part that takes us back to the rainy rocks at the witch school of Artuza.

Harmonize with nature.

Lau Tzu gave us this advice in the Tao Te Ching a long, long, long time ago. If you are a grower by nature and you are in a sunny field, plant as you wish. If you are by the sea, step out onto the rainy rock and lift your bottle to the sky with confidence.

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See you at the next sip.